Not So Thoroughly Modern

This past weekend, Thoroughly Modern Millie closed at The North Shore Theatre of Wilmette (now in their 60th year!) This up beat, fast moving, colorful show was missing just that.

Let's start with the positives of the show. Overall the show was sung well. Jimmy, played by Jameson Wentworth App, and Muzzy, played by Anita Silvert, were stand out singing performances. The choreography (Kirsten Markham) of the show was fun and executed well.

What the show lacked was direction! Jokes were missed, character connections were lost, and many songs/scenes involved the actors just sitting or standing facing the audience. Tempo was a huge factor in lack of direction. Time between lines allotted semi trucks to pass through. Musical numbers were slow and under tempo. Maybe this was to allow the cast to dance/sing at a comfortable pace, but did not work for the audience.

Costumes lack color and style. Millie starts the show singing about how amazing and modern New York City is and the ensemble emerges all in brown. How is brown a modern color?

Most actors were on the edge of getting their characters right. If they just had a little more push, a little more direction to get them were they needed to be, they would have got their. Unfortunately for Millie and Jimmy (played by Annie Jo Fisher & Jameson Wentworth App respectably), they needed a little more than a push. Their love/hate relationship was never seen. Millie had no facial expressions and lacked emotion in her voice as well. Jimmy sang beautifully, but had awkward pauses throughout the show and unusual eye contact with other actors on stage.

The house was lively, but small and most likely were friends or family members who had all ready seen the show a few times.

Overall, the show was a modest take on the material which lacked in enthusiasm and direction.

http://www.wilmettepark.org/node/559

Where did April go?

Hello Y'all,

Just wanted to post and apologize for not reviewing/posting any shows in April. The first half of the month I was working on my own show of You're A Good Man, Charlie Brown and the second half of the month I was out of town.

There will be a few new posts in the next few days and plenty more in the month of May!

It’s All About RAGTIME!

Stunning, moving, and beautiful. Go see it! I could just stop there, but I think that would be a boring post. But truth be told, it was simply stunning, moving, and beautiful and if you can, you should go see it.

I don’t really even want to name cast members and talk about how wonderful they were because the entire cast is just wonderful. The sound that is created as a group and as soloists is like sitting in heaven. They all can really sing! Man can they sing! I love great vocals in shows. I have seen many shows that I have liked and enjoyed but when a show has a cast with amazing vocals, it changes everything. You get caught up not in there words but in their emotions. Maybe it is similar to Opera in a foreign language, listening with your heart instead of your brain. Just superb!

Rachel Rockwell’s vision for this show is told through tight intentional staging, multi levels and pools of light, gliding set changes and actors crossing the stage. Projections of landscapes, buildings, and factors fill the back wall. Elevator lifts from the center stage bring cast members in and out (first preview the lift malfunctioned and the show stopped, but got moving shortly after).

What I loved was the conversation that started with the audience members around me before, at intermission, and at the end. People were excited to be there, to see, watch, and listen. People who have seen the show and some who have never. I think there will be a lot of return audience members to this show. I know that I will be one of them.

Ragtime plays at The Drury Lane Theatre in Oakbrook now through May 23^rd, 2010.

www.drurylaneoakbrook.com

Anything Goes? Not Always.

Deerfield High School recently closed their winter musical, Anything Goes, which is one of Cole Porter’s finest shows. A ramp comedy with classics songs such as “You’re The Top,” “It’s De-Lovely,” “Blow, Gabriel, Blow.” And of course “Anything Goes.” But even with a great show, sometimes things just don’t work out.

For the most part, the cast sang the show very well. Reno Sweeney, played by Kellie Goddard, acted and sang the show very well. What surprised me was the fact she sang down “Anything Goes.” Due to this, the Act I finally was flat and dull. He did come back in Act II to sing with power ‘Blow, Gabriel, Blow,” which ended up being her best vocal or the night. Stand –out performance go to Elias Wygodny (Billy) and Moonface Martin (Rahm Sivergate). Their comic timing was sharp and witty when together, but lacked with other cast members. The jokes in the show seemed slow and forgotten. Was this a case of lacking energy from the cast or did the director push the show this direction?

Speaking of the director, I was very impressed to learn that she also choreographed the show. A lot of work to direct and choreography a musical, especially at the high school level. Unfortunately, ever dance seemed the same. Most numbers had the entire cast on stage, doing simple routines all facing out in lines. The biggest movement on stage was during the tap sequence in “Anything Goes” and even then everything stayed in a line.

Costumes seemed mix-matched and out of place. Many did not fit the cast and others were fantastic. The set was large and ship like. Worked well for the show.

Not the greatest rendition of Anything Goes, but for the most part at least the music was sung well. One of my theatre guests said, “It’s sorta like a radio show, you just can sit back and listen, and the you don’t have to think much.”

Northwestern ROCKS with Tommy!

This past weekend Northwestern University closed their Rock opera production of The Who’s Tommy. If you did not get a chance to see this mostly sold-out show, I am sorry. This was a truly fantastic evening of theatre at it best!

What made it so good? The band and cast created a great night. Set on stage with the actors, the band acted as an actual concert, with the actors performing in front of them and sometimes interacting with the group. Nice balance of sound and voice once the sound mixer got through the first few minutes of the show. Once the microphone issue was fixed, the blend was great.

The show worked perfectly with a group of mirrors acting as portals and also transformed into a pinball machine. Just beautiful! Some of the choreography was a little over choreographed but for the most part, everything worked. A great scene in the opening of Act 2 reveals the daily routine of mom and dad with chairs. Each time the day ended to start the next they moved their chairs further part from each other. What a great way to show distance grown over time!

The energy exerted from the cast was what made it so fun. Kudos have to go to Reed Wilson (Tommy) whose voice is heavenly and acting is superb and to Andi Alhadeff (Acid Queen) who blew it out of the water! Sexy, strong, perfect! The final song was performed in a line at the front of the stage, very Rent like, and sang to the audience. Wonderfully done, but a few cast members were more "in to it" than others and made for a funny affect. Not sure if this was the directors choice or if it came from emotion of the run.

I forget that Northwestern is right in the backyard and that there work is exceptional! It a great inexpensive, enjoy night out!

No Buddy Blues at LuPone and Patinkin!

Eager fans packed the Cadillac Palace Theatre in Chicago on Tuesday night for the opening of An Evening With Patti LuPone and Mandy Patinkin. I would have written about this event early this week, but I got caught up with work. If you have read any of the reviews, many are saying what a team they are and how wonderful the concert was. I agree they are an amazing team of performers and the show was just wonderful. The reviews also mention that the program stated the Act One closer would be ‘Don’t Cry For Me Argentina’, and in fact, Patti did not sing this. I got over that fact very quickly.

What wowed me the most was the music they choice from South Pacific, Carousel, and Merrily We Roll Along, beautiful song and staged. All songs blending into the next, creating the transition for the love story they created on stage. Some shocking and odd choices/transitions were ‘Getting Married Today’ which followed ‘Some Enchanted Evening’ and a well sung ‘Somewhere That’s Green’ by Patinkin. Act Two showstoppers of ‘Everything’s Coming Up Roses’ sung by LuPone and ‘The-God-Why-Don’t-You-Love-Me Blues’ by Patinkin showcasing each performer’s strength. From LuPone’s power house voice and control to Patinkin’s tone and vaudevillian style acting.

The stage consisted of standing lights spread through out creating an intimate mood. As much as I loved this show in the theatre, I kept thinking how magical this night would be under the Pavilion at The Ravinia Festival in Highland Park. Even after the show while walking to the parking garage, I pictured driving home along Sheridan with the sunroof open and windows down. I guess I will have to wait for the summer to have this image a reality.

Ann Reinking did a fine job choreographing cutesy and corny routines for the performing pair. The best was set to ‘April In Paris’ and “April in Fairbanks’ where the pair spun around on 2 rolling office chairs.

People will get over not hearing anything from Evita and Sunday in The Park with George. The show is delightful and a must see! An Evening With Patti LuPone and Mandy Patinkin plays through March 7^th at The Cadillac Palace in Chicago.

www.broadwayinchicago.com

Spring is almost here!

What a great lyric to be singing with all this snow. It sure felt like spring at Standing Ovation Theatre’s production of A Year with Frog and Toad Kids this past Saturday at The Village Church of Gurnee. Standing Ovation is a new children’s theatre company to Lake County and Frog and Toad marked one of their first productions. They have a few more shows this spring and summer lined up as well as a choral group.

Frog and Toad Kids is a simple short version of the show, keeping the favorite songs and scenes. The cast ranged from 5 years old to 12 years old. The best part of children’s theatre is when the cast is super excited to perform their show! And this cast sure was! So excited, that the opening number may have been a little rushed, but slowed down to tempo eventually. The set and costumes were very cute and simple, but worked just fine for this simple show. The choreography was a perfect fit for the show and the cast really did a fine job with it.

Stand out performance has to go to Sadie LaBelle who played the snail. Her slow motion run across the stage was fantastic and her vocals matched. Parents in the audience (a very good sized house turn-out) laughed and smiled all the way through the show. A Great sign for children’s theatre!

I look forward to what Erin Ormond, Director and Owner, does next. Gurnee is very fortunate to have an up and coming children’s theatre in their town. Check out what’s next for Standing Ovation at www.standingotheatre.com